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^^ Download Eyes of Love: "The Gaze in English and French Culture, 1840-1900", by Stephen Kern

Download Eyes of Love: "The Gaze in English and French Culture, 1840-1900", by Stephen Kern

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Eyes of Love:

Eyes of Love: "The Gaze in English and French Culture, 1840-1900", by Stephen Kern



Eyes of Love:

Download Eyes of Love: "The Gaze in English and French Culture, 1840-1900", by Stephen Kern

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Eyes of Love:

Stephen Kern has discovered in Pre-Raphaelite and impressionist art a recurring pattern for arranging the sexes: a profiled man gazing at a woman who looks away from him and toward the viewer, while she ponders an apparent offer. Kern draws on such images to challenge the claim of some feminist critics and historians that gazing men monopolize subjectivity and turn women into sex objects. So intent are these writers on viewing women as victims, who in fact reveal a commanding subjectivity. Compared with the eyes of men, women's eyes are more visible, consider more varied thoughts, and convey more profound, if not more intense, emotions.

An authoritative and highly original survey of European art and literature, Eyes of Love also challenges another widely held belief - that a double standard has clearly governed how society judged the sexes. Kern supports these startling interpretations of Renoir, Manet, Degas, Rossetti, Gauguin, Millais, Hunt, Burne-Jones, and Tissot with every evidence from novels by Hugo, Flaubert, Zola, Dickens, C. Bronte, Gaskell, Eliot, Hardy, and H. James.

  • Sales Rank: #5492621 in Books
  • Brand: Brand: NYU Press
  • Published on: 1996-05-01
  • Released on: 1996-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .75" w x 5.98" l, 1.90 pounds
  • Binding: Hardcover
  • 216 pages
Features
  • Used Book in Good Condition

About the Author

Stephen Kern is Distinguished Research Professor in the Department of History at Northern Illinois University. He is the author of The Culture of Time and Space, 1880-1918 and The Culture of Love: Victorians to Moderns.

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