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If one street in America can claim to be the most infamous, it is surely 42nd Street. Between Seventh and Eighth Avenues, 42nd Street was once known for its peep shows, street corner hustlers and movie houses. Over the last two decades the notion of safety-from safe sex and safe neighborhoods, to safe cities and safe relationships-has overcome 42nd Street, giving rise to a Disney store, a children's theater, and large, neon-lit cafes. 42nd Street has, in effect, become a family tourist attraction for visitors from Berlin, Tokyo, Westchester, and New Jersey's suburbs.
Samuel R. Delany sees a disappearance not only of the old Times Square, but of the complex social relationships that developed there: the points of contact between people of different classes and races in a public space. In Times Square Red, Times Square Blue, Delany tackles the question of why public restrooms, peepshows, and tree-filled parks are necessary to a city's physical and psychological landscape. He argues that starting in 1985, New York City criminalized peep shows and sex movie houses to clear the way for the rebuilding of Times Square. Delany's critique reveals how Times Square is being "renovated" behind the scrim of public safety while the stage is occupied by gentrification.
Times Square Red, Times Square Blue paints a portrait of a society dismantling the institutions that promote communication between classes, and disguising its fears of cross-class contact as "family values." Unless we overcome our fears and claim our "community of contact," it is a picture that will be replayed in cities across America.
- Sales Rank: #487484 in Books
- Published on: 1999-04-01
- Released on: 1999-04-01
- Original language: English
- Number of items: 1
- Dimensions: .73" h x 6.82" w x 7.76" l,
- Binding: Hardcover
- 203 pages
Amazon.com Review
An award-winning science fiction writer, esteemed professor of comparative literature at the University of Massachusetts-Amherst, and celebrated essayist and memoirist, Samuel Delany is one of America's keenest observers. He was also a longtime habitué of many of the sex theaters in New York City's Times Square, spending, by his own estimate, "thousands and thousands of hours" at the Capri, Variety Photoplays, the Eros, and the Venus. In the 1990s all of these theaters were shut down through new restrictive zoning laws, part of a combined effort by the Walt Disney Corporation and the administration of Mayor Rudy Giuliani to gentrify the area, replacing these seedily memorable institutions with antiseptic, innocuous architectural and cultural creations in the name of health safety. But as Delany reveals in his new book, Times Square Red, Times Square Blue, the decision to clean up Times Square had little to do with public health, and everything to do with corporate greed.
In the two essays that comprise this eloquent, provocative book, Delany grieves for the loss of this strip of sexual release. Though he is careful not to romanticize or sentimentalize the peep shows and porn theaters, he does illuminate the way in which these venues crossed class, racial, and sexual orientation lines, providing a delightfully subversive utopia--and a microcosm of New York life. In the first essay, "Times Square Blue," Delany details his shared erotic and conversational encounters with working-class and homeless men in the theaters (which primarily showed straight porn films) and the genuine friendships that resulted; these immensely personal reminiscences also provide a social history of late-20th-century Times Square. Drawing on historical and theoretical resources in the second essay, "Three, Two, One, Contact: Times Square Red," Delany next builds a thoughtful and passionate argument against the gentrification of the area and the classist, characterless direction in which he sees New York heading. Read together, the essays of Times Square Red, Times Square Blue are both heartfelt homage to a beloved city and lament for a quirky vitality increasingly phased out by encroaching capitalism. --Kera Bolonik
From Publishers Weekly
In a provocative and persuasively argued cri de coeur against New York City's gentrification and the redevelopment of Times Square in the name of "family values and safety," acclaimed science fiction writer Delany (Dhalgren, etc.) proves himself a dazzlingly eloquent and original social commentator. In the first of two radically distinct but related essays, Delany, an Amherst college professor and native of Manhattan, writes frankly about his gay sexual adventures in the peep shows, porno movie houses and bars of Times Square. This personal history is juxtaposed with a detailed record of how the city's red light zones have changed over the past 40 years. The companion essay movingly details Delany's sociological and anthropological observations of the men who live, work and socialize in the area, and extols the virtues of a society that not only tolerates but values a public sexual culture. Drawing upon a wide range of historical and theoretical materialsAthe history of the pornographic film, Jane Jacobs's Death and Life of Great American Cities and Supreme Court discussions about homosexual activityADelany makes the case that because urban areas like Times Square promote relationships across class boundaries, they are not a blight but foster an environment of safety, empathy and social coherence. In his most dramatic argument, Delany charges that, despite City Hall rhetoric, Times Square's "Disneyfication" is not about public morality, safety or health but simply serves corporate and private economic interests. This bracing and well-calibrated blend of journalism, personal history and cultural criticism will challenge readers of every persuasion. (July)
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Times Square's emergence as a "safe" family entertainment mecca in the heart of New York City, suggests novelist and critic Delany, isn't necessarily for the better. He offers a cautionary tale on the perils of over-gentrification based on observation, analysis, experience, and sociology. Fluent in the culture of sex movie houses, he candidly discusses his homosexual experiences there over the years and then presents a philosophical look at networking vs. interclass contact in many settingsAfrom writers' conferences to the sexual arena. This all blends into a strong case against a sanitized Times Square, which could ultimately threaten the city with a loss of social and racial diversity, a reprise of pre-gay liberation days, and an evolution into streets of monotony. A lesser writer than Delany could not have woven many seemingly divergent ideas into a cohesive whole, but he succeeds with intelligence and style. His strong endorsement of the richness, energy, and social benefits arising from contact between people from all walks of life is somewhat reminiscent of William Foote Whyte's Street Corner Society and has a great deal of merit. For libraries with collections in urban sociology and gay studies.ACarol J. Binkowski, Bloomfield, NJ
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Alright
By S Cox
Delivered on time and in pretty great condition.
I didn't really like the book though. Although at times it was thought provoking, it just wasn't really my thing. At times, it felt a bit over the top. It was interesting, for certain, and really touched on important topics. However, stylistically, it just wasn't my thing.
26 of 27 people found the following review helpful.
Wounding the autumnal city
By Phelps Gates
Chip Delany, the writer/critic with the eight-inch... beard, has done it again. Two books in one, and both will give you lots to think about.
The first ("warm") half is an account of the now-vanished culture of random sexual encounters that once flourished in the Times Square area, especially in the porno theaters: alternately funny and tragic, and quite authentic, as I can attest from my own visits to the Adonis in ancient times.
The second ("cool") half is (indirectly) on the same subject: it's an essay dealing with the difference between "contact" and "networking" (I won't try to explain... read the book). Even though it never mentions the Internet by name, it says a lot about what the Internet is about, and what it's doing to us.
32 of 34 people found the following review helpful.
Prelude and fugue
By Grady Harp
Samuel Delaney has done the near imposible - he has written a book that is both titillating and informing. Dividing his cogent 21st Century social philosophy into two parts is at first disconcerting: Why are we reading (buying) a book that lets us in on the gossip of firsthand observation of Times Square New York, then in a page turn becomes a sophisticated academic treatise on our current social problems, in the City, and in a Country? Once past this mirage of a hurdle Delaney makes it patently clear why he chose this format. If we are introduced to a problem in a seductive manner, we pay closer attention to the bigger issues. This superb little book is illuminating in its exploration of where we are in our interpersonal relationships, our interplay with those around us (street, neighborhood, city, country), and our current drive to homogenize our world. Beautifully written, immensely readable, and a very important contribution to our social perceptions!
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