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The insights here are of such depth, and contain such beauty in them, that time and again the reader must pause for breath. At last Rilke has met a critic whose insight, courage, and humanity are worthy of his life and work."
—Leslie Epstein Director, Graduate Creative Writing Program, Boston University
"[A] well-reasoned, fairly fascinating, and illuminating study which soundly and convincingly applies Freudian and particularly post-Freudian insights into the self, to Rilke's life and work, in a way which enlightens us considerably as to the relationship between life and work in original ways. Kleinbard takes off where Hugo Simenauer's monumental psycho- biography of Rilke (1953) left off. . . . He succeeds in giving us a psychic portrait of the poet which is more illuminating and which . . . does greater justice to its subject than any of his predecessors.. . . . Any reader with strong interest in Rilke would certainly welcome the availability of this study."
—Walter H. Sokel,Commonwealth Professor of German and English Literatures,University of Virginia.
For beauty is nothing but the beginning of terror, which we are just able to bear, and we wonder at it so because it calmly disdainsto destroy us."
—Rilke
Beginning with Rilke's 1910 novel, The Notebooks of Malte Laurids Brigge, The Beginning of Terror examines the ways in which the poet mastered the illness that is so frightening and crippling in Malte and made the illness a resource for his art. Kleinbard goes on to explore Rilke's poetry, letters, and non-fiction prose, his childhood and marriage, and the relationship between illness and genius in the poet and his work, a subject to which Rilke returned time and again.
This psychoanalytic study also defines the complex connections between Malte's and Rilke's fantasies of mental and physical fragmentation, and the poet's response to Rodin's disintegrative and re-integrative sculpture during the writing of The Notebooks and New Poems. One point of departure is the poet's sense of the origins of his illness in his childhood and, particularly, in his mother's blind, narcissistic self- absorption and his father's emotional constriction and mental limitations. Kleinbard examines the poet's struggle to purge himself of his deeply felt identification with his mother, even as he fulfilled her hopes that he become a major poet. The book also contains chapters on Rilke's relationships with Lou Andreas Salom and Aguste Rodin, who served as parental surrogates for Rilke.
A psychological portrait of the early twentieth-century German poet, The Beginning of Terror explores Rilke's poetry, letters, non-fiction prose, his childhood and marriage. David Kleinbard focuses on the relationship between illness and genius in the poet and his work, a subject to which Rilke returned time and again.
- Sales Rank: #2810156 in Books
- Brand: Brand: NYU Press
- Published on: 1995-06-01
- Released on: 1995-06-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .75" w x 6.00" l, .97 pounds
- Binding: Paperback
- 300 pages
- Used Book in Good Condition
Review
"This moving and powerful book explores in intricate detail the spiritual consequences for women of early forms of sexual abuse and trauma. It is hard to imagine a more important subject for contemporary Americans. Manlowe's thorough scholarship and original, probing interviews will make her wonderful book a lasting contribution." -Charles B. Strozier, author of "Apocalypse: On the Psychology of Fundamentalism in America"
From the Back Cover
Beginning with Rilke's novel, The Notebooks of Malte Laurids Brigge, published in 1910, The Beginning of Terror examines the ways in which the poet mastered the illness that is so frightening and crippling in Malte and made the illness a resource for his art. Kleinbard goes on to explore Rilke's poetry, letters, and nonfiction prose, his childhood, marriage, and the relationship between illness and genius in the poet and his work, a subject to which Rilke returned time and again. This psychoanalytic study also defines the complex connections between Malte's and Rilke's fantasies of mental and physical fragmentation and the poet's response to Rodin's disintegrative and re-integrative sculpture during the writing of The Notebooks and New Poems. One point of departure is the poet's sense of the origins of his illness in his childhood and, particularly, in his mother's blind, narcissistic self-absorption and his father's emotional constriction and mental limitations. Kleinbard examines the poet's struggle to purge himself of his deeply felt identification with the "ghostly" and "unreal" Phia Rilke, whose hopes that her son would be a major poet he was fulfilling. The book also elucidates Rilke's attempt to convert his father, Josef Rilke, before he died, to confidence and satisfaction in his son's alien achievements, and contains chapters on Rilke's relationships with Lou Andreas-Salome and Auguste Rodin, who served as parental surrogates for Rilke.
About the Author
David Kleinbard is Professor of English and Comparative Literature at Queens College and the Graduate Center, CUNY. His published work ranges from psychological studies of D.H. Lawrence and Faulkner, to essays on contemporary German and American poetry, and original fiction.
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2 of 2 people found the following review helpful.
For those who care to better know the inner world of a remarkably complex poet
By Shalom Freedman
Rilke was disapproved of by his failed military career father who wanted him to be a soldier. His mother did not provide a stable loving confirmation of his identity. She mourned an older sister who had died and who she in a way tried to make him a kind of replacement for. Later in life his lover Lou Andreas- Salome and his mentor the sculptor Rodin would be substitute mother and father figures. Andreas-Salome who was fourteen years older than him was a central transformative and supporting figure in his life. She was his only real longtime love and even after leaving him she continued to support him mentally and spiritually. The chapter on their relationship is perhaps the most interesting in this book. Rilke's great sense of the uncertainty of his own bodily being contributed to the deep and enigmatic quality of his poetry. I did not find the psychoanalytic terms and language particularly helpful in the telling of the story. But this work contains much insight into Rilke's life.One problematic element for me and I suspect for most English language readers is the fact that most of the cited poetry is cited in German without English translation. This academic study does not really focus on reading the work but rather on unraveling the personality. The book does not have to my mind a true concluding summary chapter and that somehow left me with the feeling of a work unfinished. But it does provide valuable insight into the ambiguity complexity and depth of one of the twentieth century's greatest poets.
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